Las óleos de todo Max Buri
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ID |
Image |
Painting (From A to Z) |
Details |
50167 |
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Am Brienzersee |
mk208
1914
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50150 |
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Apfel |
mk208
um 1911
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50148 |
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Apfelstilleben |
mk208
um 1909
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50138 |
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Bauer nach dem Begrabnis |
mk208
um1906
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50156 |
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Bauerin im Sonntagsstaat |
mk208
um 1911
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50165 |
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Bauernapaar am Sonntagnachmittag |
mk208
1913
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50163 |
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Bildnis der Tochter Hedwig |
mk208
1913
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50174 |
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Bildnis Einer Brienzer Brienzer Bauerin |
mk208
1915
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50155 |
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Bildnis eines rothaarigen Madchens |
mk208
1911
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50128 |
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Bildnisstudie des Malers Franz Multerer |
mk208
1891
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50152 |
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Blick vom Gurten Bei Bern |
mk208
um1908
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50131 |
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Blumen |
mk208
um, 1899
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50172 |
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Brienzer Bauer |
mk208
1914
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50137 |
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Brienzer Bauer Beim Wein |
mk208
1905
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50171 |
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Brienzer Bauerin |
mk208
1914
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50158 |
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Brienzer Bauerin mit Korb |
mk208
um 1912
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50162 |
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Brienzersee |
mk208
um 1912
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50133 |
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Brienzersee mit lseltwald |
mk208
um 1901
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50146 |
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Brienzersee-Landschaft |
mk208
um1907
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50147 |
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Brienzersee-Landschaft |
mk208
um 1907
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50153 |
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Das Lauterbrunnental mit Jungfrau |
mk208
um 1906
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50151 |
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Die beiden Freundinnen |
mk208
1911
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50157 |
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Die Dampfschiffahrt |
mk208
1909
Vom Kunstler 1912 zerschnitten
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50134 |
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Die Dorfpolitiker |
mk208
1904
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50166 |
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Die Jasser |
mk208
1913
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50177 |
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Edouard Vallet |
mk208
Even likeness
1916
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50181 |
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Edouard Vallet |
mk208
Walliserin in jerk view
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50182 |
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Ferdinand Hodler |
mk208
Schynige disk |
50183 |
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Ferdinand Hodler |
mk208
Thunersee with cane horn chain in the winter around 1911
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50176 |
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Ferdinand lovelier |
mk208
Even likeness
1915
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50129 |
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Franzosischer Soldat |
mk208
1891
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50173 |
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Gesprach |
mk208
1915
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50178 |
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Giovanni Giacometti |
mk208
Even likeness |
50144 |
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Hedy Buri mit Puppe |
mk208
1908
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50161 |
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Junge Berner Oberlanderin |
mk208
um 1912
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50139 |
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Kopf eines jungen Madchens mit Hals-und Haarband |
mk208
um 1906
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50132 |
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Mutteridyll |
mk208
um 1900/01
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50135 |
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Nach dem Begrabnis |
mk208
1905
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50140 |
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Oberhaslerin |
mk208
um 1906
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50159 |
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Oberlander Bauer mit Hut und Stock |
mk208
um 1912
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50145 |
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Politiker |
mk208
um 1908
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50160 |
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Politische Unterhaltung |
mk208
1912
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50168 |
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Rosen in Glasvase |
mk208
um 1913
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50169 |
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Rosen und Zitornen |
mk208
1914
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50170 |
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Rosenstrauss |
mk208
1914
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50164 |
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Rothaariges Madchen |
mk208
1913
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50154 |
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Selbstbildnis |
mk208
1912
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50141 |
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Siesta |
mk208
1907-1910
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50149 |
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Stilleben mit Apfeln und Birne |
mk208
um 1910
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50130 |
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Unterhaltung |
mk208
1893 |
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Max Buri
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1868-1915,Swiss painter. While still at school he was given drawing lessons by Paul Volmar (1832-1906) in Berne. From 1883 he was a pupil of Fritz Schider (1846-1907) in Basle, where he became acquainted with the works of Hans Holbein the younger and Arnold B?cklin. In 1886 he went to the Akademie der Bildenden K?nste in Munich, transferring in 1887 to Simon Holl?sy painting school. After seeing the works of the French Impressionists exhibited in Munich, he moved to the Acad?mie Julian in Paris in 1889. He made several journeys to Algeria, Holland, Belgium and England, and in 1893 he returned to Munich to study under Albert von Keller. In 1898 he settled in Switzerland, living first at Lucerne, then from 1903 in Brienz, near Interlaken. About 1900, influenced by the paintings of Ferdinand Hodler, Buri moved on from his early genre pictures, which were in mawkish shades of pink in the style of Keller and H?llosy, to achieve an individual style that brought him great popularity. He established his reputation with Village Politicians (1904; Basle, Kstmus.). He painted mainly the landscape and people of the Bernese Oberland, often depicting single figures and groups in front of bare indoor walls in realistic everyday scenes. The expressiveness of the compositions is achieved by clear contours and powerful clearly differentiated surfaces in local colours. Buri works are essentially populist rather than intellectual and avoid Hodler strict parallelism and Symbolist content.
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